Robert Burley: The Disappearance of Darkness – curated by Gaelle Morel
Fotomuseum Winterthur has a wonderful blog, STILL SEARCHING which explores the changing nature of photography though posts by historians, artists and theorists. Artist Trevor Paglen has once again asked that question which seems difficult to avoid as the medium continues to shift in too many ways to count.
What was interesting to me about Paglen’s article was that he avoids discussions of how photographs are being made (i.e. analog vs. digital) and instead asks whether “photography and seeing” are becoming synonymous?”
Ultimately, it’s this change in our relationship to photographs that is most interesting to explore. This has been key to me because as a practitioner I discovered that while documenting the demise of the photographic industry over the last decade I also experienced radical shifts not only in the ways I made photographs and more importantly how I viewed them after the fact. My biggest dilemma became not about what technology to use but rather about how to make meaningful photographs in a world that was suddenly saturated with photographic imagery. As Paglen suggests “traditional approaches to doing-photography and thinking-about-photography feel increasingly anachronistic”
I agree but also wonder how the anachronistic elements of the medium will be redefined in the 21st century. I can’t help but think we are all re-living the experience of the 19th century French painter, Paul Delaroche, who upon seeing the first photograph in 1839 ran into the street and declared, “From today painting is dead”. Painting didn’t die but its relationship to reality was fundamentally altered forever which, in turn, allowed painters the opportunity to explore new dimensions of their medium. Will this history repeat itself with photography as it transitions into “old media”. Perhaps it is time for a new – New Vision.
On Wednesday, January 22nd/14 (6pm to 8pm) my show will open at the Ryerson Image Centre along with three other exhibitions. The exhibition will be up until April 13th/2014 and I will be scheduling a number of tours and lectures throughout this time. For more information see: Ryerson Image Centre
Benjamin Walker (of WMFU Radio in New York) has recently done a podcast titled, ARTIFACTS, which looks at digital vs. material culture in the art world and beyond. The program begins with an interview I did with Walker on a recent visit to NYC and continues with art conservator Christine Frohneris – this is followed by a discussion with Whitney Museum curator, Christiane Paul.
UPDATE: I highly recommend the follow up to this podcast: ARTIFACTS 2 – interviews with Nathan Jurgenson, Fred Ritchin & Finn Bruntun
I was recently interviewed by Steve Paikin on TVO’s – THE AGENDA. My interview was followed by an interesting panel discussion about our changed relationship to photography.
Camera Phones. Slideshows. Selfies. The Agenda takes a look at the role images increasingly play in our lives, what the rise of the image means to our ability to communicate with each other and what kind of literacy people need to successfully engage in an image-thick, technology-laden world.
Peter Vidani, Creative Director,Tumblr
Rita Leistner, Photojournalist
Paul Roth, Curator – The Ryerson Image Centre
Barry Quinn, Creative Director, Juniper Park
The new issue of Border Crossings Magazine has just been released and features an article about my exhibitions by writer Katie Addleman.
The fascination of Burley’s project lies, in part, in its full-throttle embrace of the possibilities that the new visual media present, at the same time that the project memorializes and includes the photography that is passing into history.
In the past week I’ve opened two versions of my exhibition, Robert Burley: The Disappearance of Darkness. Organized by the Ryerson Image Centre in Toronto and curated by Gaelle Morel, this show opened first at Musée Nicéphore Niépce in Chalon-sur-Saône, France. This remarkable museum which celebrates the inventor of photography as well as the medium’s history will be showing the exhibition from Oct. 12th/13 to Jan. 12th/14. My thanks go out to François Cheval / Conservateur en chef and Christelle Rochette / Conservatrice adjointe for their work related to producing a European version of the exhibition.
The National Gallery of Canada has opened the North American version of the exhibition which I produced with the Ryerson Image Centre over the past few months – it will be shown from Oct. 18th/13 to Jan. 5th/14 and has been overseen by NGC Associate Curator, Andrea Kunard. On Saturday, Oct. 26th/13 NGC Director, Marc Mayer will chair a panel discussion with myself, photographer Michel Campeau (who has just opened, Icons of Obsolescence) and curators, Morel and Kunard.
On Saturday, October 26th/12, 2:30pm I will be giving a talk about my work at the National Gallery of Canada. I will be joined by artist Michel Campeau, curators Andrea Kunard/NGC and Gaëlle Morel/Ryerson Image Centre, and NGC Director, Marc Mayer.
Hope to see you there!
Over the next two weeks I have two versions of my exhibition: Robert Burley: The Disappearance of Darkness opening – one in Ottawa at the National Gallery of Canada - the other at Musée-Nicéphore-Niépce in Chalon-sur-Saone, France. Organized by the Ryerson Image Centre/curated by Gaëlle Morel.
Today Nora Young/SPARK – CBC, interviewed me about this show.
This past week I was interviewed by an Associated Press writer about the news that Kodak has received approvals to exit Chapter 11. This is an interesting story because the Kodak that will emerge from bankruptcy in September will be unrecognizable to most.
They will have divested themselves of their still photography divisions and will no longer make cameras – two core businesses that have defined Kodak since it was first established by George Eastman in 1888. Instead Kodak now defines itself as “a printing and imaging company” – one that will have no relationship with consumers.